Tutors for ORF
Adam Dopadlik, Andrew Collis, Helen Hooker, Lesley Clarke, Marg Hall, Michael Graham, Moira Usher, Ruth Burbidge .
Adam studied recorder at the Royal College of Music with Ross Winters, graduating with Honours in 1984, and until recently was Lead Recorder Teacher for Cambridgeshire Music. He now teaches woodwind throughout Cambridgeshire, with a focus on promoting recorder, a role he combines with his various performing, adjudicating and conducting commitments.
Adam has performed at many prestigious venues throughout the UK, including the South Bank, both with The Ross Winters Recorder Consort and his own groups, Fitzwilliam Baroque and Hobson’s Choice. He appears on the CD British Recorder Music together with Ross and Michael Keen performing the Suite for Three Recorders by Arnold Cooke.
Adam is a Visiting Conductor for the Society of Recorder Players and has taught throughout the British Isles. He is very interested in working with recorder orchestras and established the Cambridgeshire Youth Recorder Orchestra in 2013. Interests away from music include motor-cycling, reading and Ballroom and Latin dancing (for which he has achieved Gold Bar 2 and Gold Bar 1 both with Distinction).
Andrew is one of the leading recorder players of his generation having been a Finalist in the Moeck/SRP Solo Recorder Competition on two occasions and performed at prestigious venues across the UK including St.John’s Smith Square and the Barbican. He studied with Paul Clark in Birmingham and Philip Thorby at Trinity College of Music before further studies of modern and avant-garde technique with Eve O’Kelly and in Amsterdam with Marjohlin van Roon. Festival appearances include the Brighton,Birmingham and Cheltenham International Festivals. Andrew performs in both Early and Modern Ensembles and has recorded with various groups as well as his own critically acclaimed CDs “Exposure” and “Fusion”. He has commissioned new works for the virtuoso Stanesby Players and has appeared as part of the Edge Contemporary Music Series.Performances abroad include Hong Kong and Australia. Andrew is an examiner for Trinity and an adjudicator both in the UK and worldwide. He is in demand as a tutor on a variety of courses and is a keen brass band enthusiast and piano accompanist.
Helen Hooker is an experienced recorder player, teacher and conductor. The main focus of Helen’s teaching is working with adult players of all abilities, regularly coaching SRP branches and teaching on weekend courses throughout the UK. She has been a tutor at the Recorder Summer School since 1993 and Chairman since 2005. Helen is an active performer, both as a soloist and ensemble player. Her debut solo CD, Helen and Friends, was launched to critical acclaim in 2009. She is also a member of The Parnassian Ensemble, a baroque ensemble which specialises in the performance of unjustly neglected English Baroque music.
As a conductor Helen has a strong interest in recorder orchestras. She formed the Thames Valley Recorder Orchestra and has had a long working relationship with the Hampshire Recorder Sinfonia and Phoenix Recorder Orchestra. Recent orchestral projects have included Bravo Bonsor!, a CD of music composed by the late Brian Bonsor.
Lesley has played woodwind instruments from an early age, the recorder having first instilled a love of music. She is also an able pianist. Her clarinet studies included lessons with BBC Symphony Orchestra clarinettists Colin Bradbury and Donald Watson. She holds a performance diploma from Trinity College of Music. Lesley is also a flautist and saxophonist as well as a recorder player, and her busy, versatile career includes teaching pupils from beginner to concerto standard, coaching various woodwind groups, adjudication, arranging music, and performing in both orchestral and chamber music spheres – with interests ranging widely from Baroque to jazz. Lesley belongs to the Eastern Recorder Orchestra (EROS) and is conducting a piece in the next EROS concert. When musical demands permit, Lesley enjoys painting and craft work.
Marg started the recorder as an adult in an Evening Class (having earlier learned piano and classical guitar). She quickly progressed to private lessons, and gained an L.L.C.M. in 1992 while at Napier University, Edinburgh. She has always written music, but started writing seriously for recorders in the 90's, being published first by Hawthorns Music and subsequently by Peacock Press. Brian Bonsor was instrumental in Marg being invited to join the panel of SRP visiting conductors, and she has conducted throughout the British Isles, including at National Festivals. She playes in 'Solsequium' (an Edinburgh trio/quartet), in the Edinburgh Recorder Ensemble (conducted by Michael Graham) and in the Scottish Recorder Orchestra. She is also an enthusiastic choral singer and potter!
Michael is a conductor and composer based in Edinburgh. He currently works with various orchestral, choral and instrumental ensembles in Scotland and further afield performing a wide range of repertoire, from historical to contemporary styles. Described as having “an infectious enthusiasm for music”, he served as the Edinburgh Society of Recorder Players’ Musical Director between 2011 and 2017 and established the Edinburgh Recorder Ensemble, a one-to-a-part chamber orchestra. He has won several prizes in conducting from the University of Edinburgh and the Association of British Choral Directors. In January 2019, he was awarded the prestigious Bayreuth Scholarship from the Wagner Society of Scotland to fund music study in Germany this summer. Michael is currently the Centrespread Composition Editor of The Recorder Magazine.
Conductor, Composer and Arranger
Moira Usher studied cello, piano and recorder at Trinity College of Music, London before moving into high schools as a music teacher until she retrained for special needs work. Musically she has played cello in a number of local orchestras and ran a community choir for 15 years. She now sings in a local choir. She is a Pastoral Visitor for the SRP, has taught on the Recorder Summer School and the Northern Recorder Course and tutors at SuRF. She is the founder and conductor of the Eastern Recorder Orchestra and does most of the conducting for Suffolk Branch of the SRP. She is secretary of the Walter Bergmann Fund committee.
Ruth’s musical training includes three years at the Royal Academy of Music, studying piano and flute, and after several years teaching, a year at Trinity College of Music studying piano, flute, recorder and harpsichord. During her year at Trinity she won the prestigious Raymond Russell Prize for harpsichord and was very involved in the Early Music scene playing recorder and harpsichord. She has performed many times as a soloist and accompanist, on both recorder and harpsichord.
Well known for her accompanying and tutoring skills, she is invited to conduct groups throughout the UK and goes to the USA each year to join the faculty on a workshop in Connecticut. She is the director of the chamber recorder orchestra “The Eleven”.
Her business Peacock Press publishes many titles of recorder music and as Recorder Music Mail sells recorder music all over the world. www.recordermail.co.uk